| Cycle view of the study programme | Bl | Or | Th | Pr | Ot | Cr | ||||||||||||||||
| ULg students will carry out their placement during the 2nd term of Block 1 and the 1st term of Block 2. Modules 6, 7, 8, 9, 10, 11, 12 and 13 will therefore be followed in the joint-awarding university. |
||||||||||||||||||||||
| Compulsory courses (B1 : 10Cr, B2 : 30Cr) | ||||||||||||||||||||||
| Research project | B1 | TA | - | - | - | 10 | ||||||||||||||||
| Research project | ||||||||||||||||||||||
| Final work - Pascal Durand | B2 | TA | - | - | - | 30 | ||||||||||||||||
| Final work - Pascal Durand | ||||||||||||||||||||||
| Optional courses (B1 : 50Cr, B2 : 30Cr) | ||||||||||||||||||||||
| 1ST TERM | ||||||||||||||||||||||
| Module 1 : Theory/art history and aesthetics of cinema | ||||||||||||||||||||||
| Choose one of the following courses : (B1 : 5Cr) | ||||||||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | ||||||||||||||||||||||
| Methods and theories of film analysis - Dick Tomasovic | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Methods and theories of film analysis - Dick Tomasovic | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Early motion pictures (international seminar) - Livio Belloi - [30h SEM] | B1 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Early motion pictures (international seminar) - Livio Belloi - [30h SEM] | ||||||||||||||||||||||
| cinema in Belgium (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B1 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| cinema in Belgium (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| Film and visual arts theory - Marc-Emmanuel Mélon | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Film and visual arts theory - Marc-Emmanuel Mélon | ||||||||||||||||||||||
| Module 2 : Heritage, archives and cinema history | ||||||||||||||||||||||
| Choose one of the following courses : (B1 : 5Cr) | ||||||||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Early motion pictures (international seminar) - Livio Belloi - [30h SEM] | B1 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Early motion pictures (international seminar) - Livio Belloi - [30h SEM] | ||||||||||||||||||||||
| cinema in Belgium (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B1 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| cinema in Belgium (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| Film and visual arts theory - Marc-Emmanuel Mélon | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Film and visual arts theory - Marc-Emmanuel Mélon | ||||||||||||||||||||||
| Module 3 : Sociology, economy and cinema and audio visual technology | ||||||||||||||||||||||
| Choose one of the following courses : (B1 : 5Cr) | ||||||||||||||||||||||
| Film and visual arts theory - Marc-Emmanuel Mélon | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Film and visual arts theory - Marc-Emmanuel Mélon | ||||||||||||||||||||||
| Film and audiovisual production - Michel Gyory | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Film and audiovisual production - Michel Gyory | ||||||||||||||||||||||
| Socioeconomics of media - Geoffrey Geuens | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Socioeconomics of media - Geoffrey Geuens | ||||||||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| Contemporary theater and Society (séminaire international) - Nancy Delhalle - [30h SEM] | B1 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Contemporary theater and Society (séminaire international) - Nancy Delhalle - [30h SEM] | ||||||||||||||||||||||
| Module 4 : Visual culture and image anthropology | ||||||||||||||||||||||
| Choose one of the following courses : (B1 : 5Cr) | ||||||||||||||||||||||
| Methods and theories of film analysis - Dick Tomasovic | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Methods and theories of film analysis - Dick Tomasovic | ||||||||||||||||||||||
| Cultural history of the visual (international seminar) - Carl Havelange, Lucienne Strivay - [30h SEM] | B1 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Cultural history of the visual (international seminar) - Carl Havelange, Lucienne Strivay - [30h SEM] | ||||||||||||||||||||||
| Performing arts analysis - Nancy Delhalle | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Performing arts analysis - Nancy Delhalle | ||||||||||||||||||||||
| Early motion pictures (international seminar) - Livio Belloi - [30h SEM] | B1 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Early motion pictures (international seminar) - Livio Belloi - [30h SEM] | ||||||||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | - | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| Cultural analysis and creation in practice (international seminar) - Lucienne Strivay - [30h SEM] | - | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Cultural analysis and creation in practice (international seminar) - Lucienne Strivay - [30h SEM] | ||||||||||||||||||||||
| Module 5 : Image contemporary practice | ||||||||||||||||||||||
| Choose one of the following courses : (B1 : 5Cr) | ||||||||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| cinema in Belgium (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B1 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| cinema in Belgium (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| 2nd TERM | ||||||||||||||||||||||
| Notice : modules 6, 7, 8, 9 and 10 are targeted at students attending ULg through a mobility programme. | ||||||||||||||||||||||
| Module 6 : Theory/art history and aesthetics of cinema | ||||||||||||||||||||||
| Choose one of the following courses : (B1 : 5Cr) | ||||||||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | ||||||||||||||||||||||
| Module 7 : Heritage, archives and cinema history | ||||||||||||||||||||||
| Choose one of the following courses : (B1 : 5Cr) | ||||||||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | ||||||||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| Module 8 : Sociology, economy and cinema and audio visual technology | ||||||||||||||||||||||
| Choose one of the following courses : (B1 : 5Cr) | ||||||||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | ||||||||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | ||||||||||||||||||||||
| Module 9 : Visual culture and image anthropology | ||||||||||||||||||||||
| Choose one of the following courses : (B1 : 5Cr) | ||||||||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | ||||||||||||||||||||||
| Photography and photojournalism speeches - Marc-Emmanuel Mélon | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Photography and photojournalism speeches - Marc-Emmanuel Mélon | ||||||||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | ||||||||||||||||||||||
| Module 10 : Image contemporary practice | ||||||||||||||||||||||
| Choose one of the following courses : (B1 : 5Cr) | ||||||||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | ||||||||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | B1 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | ||||||||||||||||||||||
| Photography and photojournalism speeches - Marc-Emmanuel Mélon | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Photography and photojournalism speeches - Marc-Emmanuel Mélon | ||||||||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | B1 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | ||||||||||||||||||||||
| Single focus (B2 : 30Cr) | ||||||||||||||||||||||
| Professional focus in film and audiovisual studies (B2 : 30Cr) | ||||||||||||||||||||||
| 1ST TERM | ||||||||||||||||||||||
| Notice : Modules 11, 12 and 13 are targeted at students attending ULg through a mobility programme. | ||||||||||||||||||||||
| Module 11 : Theory of visual and sound forms | ||||||||||||||||||||||
| Choose one of the following courses : (B2 : 5Cr) | ||||||||||||||||||||||
| Film and visual arts theory - Marc-Emmanuel Mélon | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Film and visual arts theory - Marc-Emmanuel Mélon | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Methods and theories of film analysis - Dick Tomasovic | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Methods and theories of film analysis - Dick Tomasovic | ||||||||||||||||||||||
| Early motion pictures (international seminar) - Livio Belloi - [30h SEM] | B2 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Early motion pictures (international seminar) - Livio Belloi - [30h SEM] | ||||||||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| cinema in Belgium (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B2 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| cinema in Belgium (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | ||||||||||||||||||||||
| Module 12 : History of visual and sound forms | ||||||||||||||||||||||
| Choose one of the following courses : (B2 : 5Cr) | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Methods and theories of film analysis - Dick Tomasovic | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Methods and theories of film analysis - Dick Tomasovic | ||||||||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| Early motion pictures (international seminar) - Livio Belloi - [30h SEM] | B3 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Early motion pictures (international seminar) - Livio Belloi - [30h SEM] | ||||||||||||||||||||||
| cinema in Belgium (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B2 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| cinema in Belgium (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | ||||||||||||||||||||||
| Cultural history of the visual (international seminar) - Carl Havelange, Lucienne Strivay - [30h SEM] | B2 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Cultural history of the visual (international seminar) - Carl Havelange, Lucienne Strivay - [30h SEM] | ||||||||||||||||||||||
| Module 13 : New media practice and image culture | ||||||||||||||||||||||
| Choose one of the following courses : (B2 : 5Cr) | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Movies & Gender Studies - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Issues relating to aesthetics of the image - Dick Tomasovic | ||||||||||||||||||||||
| Cultural analysis and creation in practice (international seminar) - Lucienne Strivay - [30h SEM] | B2 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Cultural analysis and creation in practice (international seminar) - Lucienne Strivay - [30h SEM] | ||||||||||||||||||||||
| Performing arts analysis - Nancy Delhalle | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Performing arts analysis - Nancy Delhalle | ||||||||||||||||||||||
| Contemporary theater and Society (séminaire international) - Nancy Delhalle - [30h SEM] | B2 | Q1 | - | - | [+] | 5 | ||||||||||||||||
| Contemporary theater and Society (séminaire international) - Nancy Delhalle - [30h SEM] | ||||||||||||||||||||||
| 2nd TERM | ||||||||||||||||||||||
| Module 14 : Theory of visual and sound forms | ||||||||||||||||||||||
| Choose one of the following courses : (B2 : 5Cr) | ||||||||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | ||||||||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | ||||||||||||||||||||||
| Photography and photojournalism speeches - Marc-Emmanuel Mélon | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Photography and photojournalism speeches - Marc-Emmanuel Mélon | ||||||||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | ||||||||||||||||||||||
| Module 15 : History of visual and sound forms | ||||||||||||||||||||||
| Choose one of the following courses : (B2 : 5Cr) | ||||||||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | ||||||||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | ||||||||||||||||||||||
| Photography and photojournalism speeches - Marc-Emmanuel Mélon | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Photography and photojournalism speeches - Marc-Emmanuel Mélon | ||||||||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | ||||||||||||||||||||||
| Module 16 : Practice of new media and images culture | ||||||||||||||||||||||
| Choose one of the following courses : | ||||||||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Video arts, performance and digital arts (séminaire international) - Marc-Emmanuel Mélon - [30h SEM] | ||||||||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Animation (séminaire international) - Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | B2 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| The actor's work and the process of character development - Dick Tomasovic | ||||||||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Literature and Cinema (International seminar) - Björn-Olav Dozo, Dick Tomasovic - [30h SEM] | ||||||||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary experimental cinema - Livio Belloi | ||||||||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Contemporary documentary (cinema, video, television) - Geneviève Van Cauwenberge | ||||||||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | B2 | Q2 | - | - | [+] | 5 | ||||||||||||||||
| Questions of contemporary documentary (international seminar) - Geneviève Van Cauwenberge - [30h SEM] | ||||||||||||||||||||||
| Photography and photojournalism speeches - Marc-Emmanuel Mélon | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Photography and photojournalism speeches - Marc-Emmanuel Mélon | ||||||||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | B2 | Q2 | 30 | - | - | 5 | ||||||||||||||||
| Multilingual Communication : Film and television in the Euregio - Jérémy Hamers | ||||||||||||||||||||||
| Optional free courses (B1 : 5Cr) | ||||||||||||||||||||||
| Optional free courses (language improvement) | ||||||||||||||||||||||
| English level 2 (english language) - ISLV, Adnan Vesseur | B1 | TA | 60 | - | - | 5 | ||||||||||||||||
| English level 2 (english language) - ISLV, Adnan Vesseur | ||||||||||||||||||||||
| Dutch level 2 - part I (dutch language) - Liliane Gehlen, ISLV | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Dutch level 2 - part I (dutch language) - Liliane Gehlen, ISLV | ||||||||||||||||||||||
| Spanish level 2 (spanish language) - Valérie Coyette, ISLV | B1 | Q1 | 30 | - | - | 5 | ||||||||||||||||
| Spanish level 2 (spanish language) - Valérie Coyette, ISLV | ||||||||||||||||||||||
| Italian I (italian language) - Paola Moreno | B1 | TA | 30 | - | - | 5 | ||||||||||||||||
| Italian I (italian language) - Paola Moreno | ||||||||||||||||||||||
| French, S2 - 2e quadrimestre - ISLV, Marielle Maréchal | B1 | Q2 | - | - | - | 5 | ||||||||||||||||
| French, S2 - 2e quadrimestre - ISLV, Marielle Maréchal | ||||||||||||||||||||||
| Notice : the French course is targeted at students attending ULg through a mobility programme. Successful completion of the exam allows a certificate to be obtained in the same way as an isolated course. | ||||||||||||||||||||||
| French, S1 - 1er quadrimestre - ISLV, Marielle Maréchal | B2 | Q1 | - | - | - | 5 | ||||||||||||||||
| French, S1 - 1er quadrimestre - ISLV, Marielle Maréchal | ||||||||||||||||||||||
| Notice : the French course is targeted at students attending ULg through a mobility programme. Successful completion of the exam allows a certificate to be obtained in the same way as an isolated course. | ||||||||||||||||||||||
| ULg students have the opportunity to take a language course organised by the joint-degree university | ||||||||||||||||||||||