Study Programmes 2016-2017
THEA0006-1  
Performing arts analysis
Duration :
30h Th
Number of credits :
Master in performing arts (120 ECTS)5
Master in history of art and archaeology : musicology (120 ECTS)5
Master in performing arts (120 ECTS)4
Lecturer :
Nancy Delhalle
Language(s) of instruction :
French language
Organisation and examination :
Teaching in the first semester, review in January
Units courses prerequisite and corequisite :
Prerequisite or corequisite units are presented within each program
Learning unit contents :
Analysing a performance is a specific challenge which goes beyond simple description or subjective commentary. It requires the development of a methodology allowing the multiciplicity of current aesthetics to be addressed, while retaining a certain objectivity. This is all the more true of the signs used in theatrical language, which was relatively hierarchical until the 20th century, but which today completely blurs all established boundaries. The structure of the character and the story, the role of space, the status of the text, the relationship with the audience ... all this transforms and gives rise to limitless experimentation of possible configurations. How to read a performance? How to analyse the effects which it produces? From the staging of Patrice Chéreau, Peter Brook or Thomas Ostermeier to the scenic writing of Bob Wilson, Pippo Delbono or Jan Lauwers, among other examples, the course will look at analytical tools which can be used in critical analysis through given performances. Video extracts of performances and the seasonal theatre programme will be used.
Learning outcomes of the learning unit :
The aim of the course is that students will become independent in their objective analysis of theatre performances.
Prerequisite knowledge and skills :
These performances are to be seen :
-/ Un arc-en-ciel pour l'Occident chrétien (P. Varrasso)
-/ A la frite ! (Cl. Semal)
-/ Etats d'urgence (V. Hennebicq)
-/ Apocalypse bébé (S. Alaoui)
-/ La folle journée ou le mariage de Figaro (R. Barché)
-/ Les gens d'Oz (G. Stoev)
-/ Le dernier testament (M. Laurent)
-/ Sing my life (C. Min Jung)
-/ L'heure et la seconde (E. Bonfanti; Y. Hunstad)
-/ Il ne dansera qu'avec elle (A. Laubin)
-/ Le Cid (Y. Beaunesne)
-/ Phèdre(s) (K. Warlikowski)
-/ Rouge décanté (G. Cassiers) - Théâtre National
-/ Ca ira ! (J. Pommerat) - Théâtre National
-/ Blockbuster (Collectif Mensuel) - Théâtre National
-/ Le Chagrin des ogres (F. Murgia) - Théâtre National
Planned learning activities and teaching methods :
Mode of delivery (face-to-face ; distance-learning) :
See: http://cipl82.philo.ulg.ac.be/horaires
The course will take place in the first term and second term.
Recommended or required readings :
A syllabus of texts will be available.
Assessment methods and criteria :
The course exam consists of analysing a performance seen.
Work placement(s) :
Organizational remarks :
Contacts :
Nancy Delhalle Professor 04 366 57 61 ndelhalle@ulg.ac.be