2022-2023 / MUSI0044-1

Introduction to the history of musical theory

Duration

30h Th

Number of credits

 Bachelor in ancient and modern languages and literatures5 crédits 
 Bachelor in ancient languages and literatures : classics5 crédits 
 Bachelor in information and communication5 crédits 
 Bachelor in modern languages and literatures : German, Dutch and English5 crédits 
 Bachelor in history of art and archaeology : general5 crédits 
 Bachelor in history5 crédits 
 Bachelor in modern languages and literatures : general5 crédits 
 Bachelor in history of art and archaeology : musicology5 crédits 
 Bachelor in ancient languages and literatures : Oriental studies (Registrations are closed)5 crédits 
 Bachelor in philosophy5 crédits 
 Bachelor in French and Romance languages and literatures : general5 crédits 

Lecturer

Philippe Vendrix

Language(s) of instruction

French language

Organisation and examination

Teaching in the first semester, review in January

Schedule

Schedule online

Units courses prerequisite and corequisite

Prerequisite or corequisite units are presented within each program

Learning unit contents

The course intends to offer

Through a tour of Johann Sebastian Bach's work, questions relating to music theory, its history and its achievements will be addressed. After a general presentation of Bach's output, the following questions will be addressed:


1. The ritornello technique


2. The construction of the concerto


3. The contrapuntal development

4. The art of the fugue 

5. Monumentality and intimacy

Learning outcomes of the learning unit

The concept of music theory in the West through the ages. Main figures of theoreticians. Foundations of modern music theory.

Prerequisite knowledge and skills

Foundations of the current theory of music. Ability to "read" music. Knowledge of the main lines of human history.

Planned learning activities and teaching methods

Seminar. Each course includes a lecture section and a part of tutorials, case studies on historical documents.

Mode of delivery (face to face, distance learning, hybrid learning)

Face-to-face course

Recommended or required readings

Claude ABROMONT, Guide de la theorie musicale, Paris, Fayard-Lemoine, 2001, 608 p.
The necessary educational documents will be made available to students.

Exam(s) in session

Any session

- In-person

written exam ( open-ended questions )


Additional information:

Based on the critical analysis of a musical piece.

An oral presentation during the seminar.

Work placement(s)

Organizational remarks

Classes with reading assignement

Contacts

pvendrix@ulg.ac.be

Association of one or more MOOCs