2019-2020 / HAAR0160-1

Special question of history of art : comics

Duration

30h Th

Number of credits

 Bachelor in ancient and modern languages and literatures5 crédits 
 Bachelor in ancient languages and literatures : classics5 crédits 
 Bachelor in information and communication5 crédits 
 Bachelor in modern languages and literatures : German, Dutch and English5 crédits 
 Bachelor in history of art and archaeology : general5 crédits 
 Bachelor in history5 crédits 
 Bachelor in modern languages and literatures : general5 crédits 
 Bachelor in history of art and archaeology : musicology5 crédits 
 Bachelor in ancient languages and literatures : Oriental studies5 crédits 
 Bachelor in philosophy5 crédits 
 Bachelor in French and Romance languages and literatures : general5 crédits 
 Master in communication (120 ECTS)5 crédits 

Lecturer

Erwin Dejasse

Language(s) of instruction

French language

Organisation and examination

Teaching in the second semester

Schedule

Schedule online

Units courses prerequisite and corequisite

Prerequisite or corequisite units are presented within each program

Learning unit contents

In thirty class meetings, we will cover the history of comics beginning with their earliest beginnings (the Swiss Rodolphe Toeppfer, the German Wilhelm Busch and the Frenchman Christophe) up to the present day and even the present moment. Since we cannot be exhaustive regarding this subject, the course will will particularly emphasize the contribution of American comics and of Franco-Belgian comic books (Tintin, Spirou, Vaillant, Pilote). The complexity of this logo-iconic genre and its principal lines of force are at the center of the course, which combines various approaches - semiotic, aesthetic, sociological, anthropological and narratological.

Learning outcomes of the learning unit

At the end of the course, the student will be able to:
- recognize a work seen in the class (or whose author has been mentioned in class) and place it in its context of creation
- justify this identification by observation elements (style, "graphic school", narration, subject addressed in the work)
- define the different components of the expression in comic with the correct terminology : drawing, cutting, layout (according to the terminology of Benoît Peeters or Thierry Groensteen) ...
- analyze a comic board by identifying and evaluating the relevance of the creative schemes it implements

Prerequisite knowledge and skills

None.

Planned learning activities and teaching methods

Lecture with a substantial iconography.

Mode of delivery (face-to-face ; distance-learning)

Face-to-face.

Recommended or required readings

Recommended reading :
McCLOUD, Scott, L'Art invisible, Paris, 2007 (1e éd. fr. 1999).
GROENSTEEN, Thierry, Système de la bande dessinée, Paris, 2011.

Assessment methods and criteria

Written examination

Work placement(s)

Organizational remarks

Contacts

Secretary's office
04 366 53 83

Adaptation of teaching commitments following the COVID-19 pandemic for the May-June 2020 session

Teaching methods implemented : distance-learning

The course content that could not have been transmitted through in-person classes is replaced by videos that are broadcatsed. 

Assessment subjects

The course matter include the content of the in-person classes and the broadcasted videos

Assessment methods

Online written examination.  

Contacts

erwin.dejasse@uliege.be

Adaptation of teaching commitments following the COVID-19 pandemic for the Aug-Sept 2020 session

Assessment subjects

The course matter include the content of the in-person classes and the broadcasted videos (chapters I, II and VII) 

Assessment methods

Online written examination (send by email with a return receipt)

Contacts

erwin.dejasse@uliege.be