University of Liege | Version française
Study programmes 2008-2009Last update : 29/06/2009
HAAR0110-1  Seminar on arn history of modern Times: Renaissance
Duration :  30h Th
Credits/ECTS :  
Master in History of Art and Archeology, general orientation, in-depth approach, 1st yearDeuxième quadrimestre5
History of Art and Archaeology : Musicology, Research focus, 1st yearDeuxième quadrimestre5
History of Art and Archaeology : Musicology, Research focus, 2nd yearDeuxième quadrimestre5
Master in history of art and archeology, archaemetry orientation, in-depth approach, 1st yearDeuxième quadrimestre5
Master in History of Art and Archeology, general orientation, didactic approach, 1st yearDeuxième quadrimestre5
Master in Modern Languages and Literatures: German, Dutch and English Searching Focus , 1st yearDeuxième quadrimestre5
Master in History, in-depth approach, 1st yearDeuxième quadrimestre5
Master in Modern Languages and Literatures, general orientation, in-depth approach, 1st yearDeuxième quadrimestre5
Master in French and Romance Languages and Literatures: General, Searching Focus, 1st yearDeuxième quadrimestre5
Master in French and Romance Languages and Literatures: General, Searching Focus, 2nd yearDeuxième quadrimestre5
Master in French and Romance Languages and Literatures, general orientation, didactic approach , 1st yearDeuxième quadrimestre5
Master in French and Romance Languages and Literatures, general orientation, didactic approach , 2nd yearDeuxième quadrimestre5
Master in History of Art and Archeology, general orientation, Professional focus in Museology and interpretation of cult, 1st yearDeuxième quadrimestre5
Master in History of Art and Archeology, general orientationDeuxième quadrimestre5
Master in History of Art and Archeology, musicology orientationDeuxième quadrimestre5
Master in French and Romance Languages and Literatures : GeneralDeuxième quadrimestre5
Holder(s) :  Dominique Allart
Language :  Langue française
Course contents :  Margaret of Austria's art patronage
Art from the Netherlands at the start of the 16th century.
Margaret of Austria (1480-1530) was a product of her time, which expected noble women to be obedient daughters and dutiful wives. Born of one of the most prestigious blood lines in Europe - she was the daughter of Maximilian of Habsburg and Mary of Burgundy - in her youth, Margaret became instrumental in the political ambitions of the rulers of the time, and particularly those of her own father. While she submitted to the requirements of her rank, often with little thanks, her intelligence and determination soon earned her increasing authority and she ultimately became on of the most powerful figures in Europe in the first part of the 16th century.
Appointed by her father as Governor and subsequently Regent of the Netherlands, and later retained in the post by her nephew Charles Quint, Margaret left a marked footprint on the political history of the time. She was also one of the most remarkable female art patrons. What motivated her in her artistic commissions? What use did she make of the works of art which she collected in her palace at Malines? What image of herself did she wish to convey through her collections and the monuments which she had built? Such questions will be addressed in this course, which will also broadly deal with the art of the Netherlands and the Principality of Liege at the time of Margaret of Austria.
A detailed table of contents is available at: http://www.schist.ulg.ac.be/cours.htm
Course objective :  To deepen knowledge, analytical skills and methodological reflection. The concept of history of 'taste'. Introduction to the study of the social function of art. The concept of collectionism.
Prerequisites :  - having followed the course on History of Art and Archaeology of the 15th and 16th centuries given in the 1st cycle
- good knowledge of European history of the 15th and 16th centuries
- capable of using a bibliography partly composed of material in English and German
Workshops :  Readings with a view to discussions and presentation: see below and also http://www.schist.ulg.ac.be/cours.htm
Organization :  The first part of the course (on the art patronage of Margaret of Austria) consists of lectures with discussions based on compulsory reading (references can bee found at http://www.schist.ulg.ac.be/cours.htm). For the second part, students will make analytical presentations on the global artistic context (major trends, evidence). Instructions are available at
http://www.schist.ulg.ac.be/cours.htm. Students will also attend three conferences given by experts from outside the University, relating to the themes of the course.
NB The participation of 'free' students will depend upon the practical possibilities (notably the number of seats available and balance between their numbers and regular students).
Written notes :  No course notes. A bibliography and useful documentation will be given to students. References for articles to be read is available at
http://www.schist.ulg.ac.be/cours.htm
Assessment :  Assessment will take the form of a grade covering participation in class and the examination. The exam is based on all the material covered, the articles to be read and the content of the conferences. Each grade will be halved to achieve the overall grade.
Contacts :  Students will receive information and useful documents for this course electronically. Surgeries (meetings without appointment) at the Service d'Histoire et Technologie des Arts plastiques des Temps modernes: Wednesdays from 1030 to 12 noon (Dominique Allart)


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