| ARCH1004-1 | |||||
| Numerical culture and generative processes of the form | |||||
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Duration :
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| 24h Pr | |||||
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Number of credits :
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Lecturer :
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| Fréderic Delvaux, Sylvie Jancart | |||||
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Language(s) of instruction :
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| French language | |||||
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Organisation and examination :
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| Teaching in the second semester | |||||
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Units courses prerequisite and corequisite :
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| Prerequisite or corequisite units are presented within each program | |||||
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Course contents :
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| Developing themes relating to formal and material research as part of the approach to architectural projects would appear to be relevant: it combines, digitally, the emergence of form, its control, and the media devoted to the materialisation of designed objects (in their broadest sense).
This relevance is reflected in the use tools which can aid design and lead to increased control over the project. The use of design assistance tools has taken off in recent years. It would be pointless here to monitor a trend or fad but to look at the methodological opportunities which these tools offer. We propose that students address the mathematical theories behind the research of architects concerned by the genesis of form and architectural space. We introduce them to the use of programming language used in the chosen modelling tool to generate complex 3D forms and to control them. Students will learn to manipulate standard commands in architectural software packages, with a view to creating complex geometrical forms. Among the themes which occupy a central place in this teaching unit are :
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Learning outcomes of the course :
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| Connected to the competency framework : All teaching in the Study of Representation and Form area will enable students to develop specific competencies in the Faculty's competency framework by guiding them more particularly in the development of the competencies. For this teaching unit :
Defining an architectural question
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Prerequisite knowledge and skills :
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| To take part in this teaching unit, you should have acquired the following credits. None.
Good knowledge of graphic design and 3D modelling is required. |
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Planned learning activities and teaching methods :
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| Presentation of the influence of digital culture upon architecture (particularly its architectonic implications)
Theoretical presentation of mathematical concepts Theoretical lectures following by exercises in handling software packages. Development of personal projects. |
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Mode of delivery (face-to-face ; distance-learning) :
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| Presence in class is required. | |||||
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Recommended or required readings :
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| Compulsory course notes and slides are available on Web Archi.
Catalogue d'exposition, Architectures non standard, éditions du Centre Pompidou, Paris, 2003 Picon, Antoine. Culture numérique et architecture.Bâle: Birkhäuser, 2010 Rivka Oxman et Robert Oxman, Theories of the digital in arcitecture, Routledge, 2014 Pottmann, Asperl, Hofer, Kilian, Architectural geometry, Bentley Institue press, 2007 Articles : Wendland David, Model-based formfinding processes: free forms in structural and architectural design. Allemagne, Université de Stuggart (Obligatoire) Picon Antoine, La crise de l'échelle et de la tectonique classique, D'Architectures, 168, novembre 2007, pp 43-47 (facultatif) |
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Assessment methods and criteria :
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| Continuous assessment of understanding of theoretical concepts and the student's practical work.
Assessing a piece of written work summarising the theoretical concepts and personal projects developed throughout the course. The criteria for assessing the final piece of work are : the relevance of the choice of parameters and how they impact upon the possibility of structuring form, the quality, method and description of the approach (inventiveness, limits, solutions, etc.) and the quality of communication of the final result in its context. Work will be presented to the teaching staff. |
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Work placement(s) :
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Organizational remarks :
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Contacts :
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| Lecturer :
Frédéric Delvaux Frederic.delvaux@ulg.ac.be Student-relay teachers : Sylvie Jancart Sylvie.jancart@ulg.ac.be Collaborateur scientifique : Romuald Bianchi |
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