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| CINE0010-1 | Literature and Cinema
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| Duration : | 30h Th |
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| Credits/ECTS : |
| Bachelor in information and communication, 3rd year | | Premier quadrimestre | | 4 |
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| Bachelor in Romance languages and literatures, 3rd year | | Premier quadrimestre | | 3 |
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| One-year preliminary programme leading to the Master in Performing Arts | | Premier quadrimestre | | 4 |
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| Master in Modern Languages and Literatures: German, Dutch and English Searching Focus , 1st year | | Premier quadrimestre | | 5 |
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| Master in Modern Languages and Literatures, general orientation, in-depth approach, 1st year | | Premier quadrimestre | | 5 |
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| Master in Philosophy, in-depth approach, 1st year | | Premier quadrimestre | | 5 |
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| Master in Philosophy, in-depth approach, 1st year | | Premier quadrimestre | | 6 |
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| Master in Philosophy, in-depth approach, 2nd year | | Premier quadrimestre | | 6 |
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| Holder(s) : | Danielle Bajomée |
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| Language : | Langue française |
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| Course contents : | The cinema appears, at the end of a long historical process, as having accomplished something that novelists, since the beginning of the 19th century, had tried to achieve (rapid scene changes, variations on the role of the narrator, etc.)
Through its tangible power of suggestion, the cinema has been highly rated by 20th century writers, who helped define it as a narrative art, no longer as only a dramatic art (Cf. Jean Mitry).
Thus the course has in view several different intersections between film and literature:
- cinema of the author: the film is entirely written before filming (Jean Eustache, for example)
- adaptation: making a film out of a literary work (Renoir adapting Simenon, etc.)
- a scenario directed by writers: Diras writing "Hiroshima mon amour" at Resnais' request.
- dialogue imagined by writers: Daniel Boulanger, Boris Vian, Sartre are examples.
- voice-overs as examples of a persistent nostalgia for literature in cinema (Truffaut, Godard, etc.)
- books in films / films in books
- literary criticism. |
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| Course objective : | To help with art transcoding. |
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| Prerequisites : | Good knowledge of literary and cinematographic techniques, good knowledge of cinema history. |
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| Organization : | See : http://cipl82.philo.ulg.ac.be/horaires |
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| Written notes : | 3 pages, distributed at the start of the course |
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| Assessment : | A 20-typed-page piece of work which is both thorough and personal, to be submitted at Easter and an oral exam in June. |
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| Contacts : | Lecturer
Danielle BAJOMEE, lecturer
Tel. 04 366 32 74
Email : Danielle.Bajomée@ulg.ac.be (Danielle.Bajomée@ulg.ac.be%20)
Secretary's office
Anne-Marie D'ACCHILLE
Tel. 04 366 32 79 |
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